RHONJ Production Supervisor Reveals Details About Dina Manzo, the Gorgas, the Christening, Editing, and the Mystery Phone Call
September 23, 2012 172 Comments
NOTICE FROM MY SOURCE FOR THE FOLLOWING INTERVIEW: “Also just letting you know I never gave this information to any other site or blog or PEREZHILTON.”
“Please clearly credit Fame-Whorgas and link back to this article if you copy or reference any part of the interview below as this is an exclusive story.”
UPDATE 9/23/2012 AT 9:18 PM EST: My source just saw that people are doubting the legitimacy of the interview, so has given me permission to post the following:
“I was asked by my country’s main news website to write a piece on the reality of reality television. My cousin worked on RHONJ, so I asked for an interview. The interview was only given because RHONJ does not screen in my country, and I promised anonymity. We also don’t have any BRAVO shows on television here. I called my cousin in Washington and spoke for 20 minutes before realizing I would have to watch the RHONJ to understand what was going on and who was who. So I went online and watched every episode and called back a few weeks later. The second interview (which was recorded) was an hour and a half and mentioned numerous shows from TLC and Oxygen, but I have edited it down to the relevant parts, mainly due to privacy for my cousin.”
The source noted that when the story is published on the news website, it will be linked to Fame-Whorgas.
Fame-Whorgas received a partial transcript of an interview conducted with a former post production supervisor for the RHONJ. The source is editing the transcript down to pull the references to the RHONJ. Apparently, there is much to sort through since the interview was about the reality of reality television, but not just the RHONJ. I cannot disclose the names of the interviewer or interviewee; however, I can say that I received this directly from the interviewer: this person, the one who conducted the interview, is the cousin of the former post production supervisor.
Here is the second installment (there is more to come; I’m waiting for the source to sort through the transcript):
On Dina Manzo
Q: “In season 2 you had a change of cast with Dina Manzo leaving; did she really leave because of Danielle?”
A: “There were legal issues around the filming of Dina’s daughter, and Dina and Danielle had off screen legal issues. Dina threatened to quit the show unless Danielle’s contract for season 2 was shortened; she basically told the producers it was her family on the show or Danielle, but the others didn’t back her, so she quit the show.”
Q: “What about Teresa? Did Teresa threaten to walk too?”
A: “No, none of the other wives did; that is why Dina is so angry at her family; I guess she feels like they chose the show over her.”
Q: “Well they did, so why is she speaking to Teresa then and not the others?”
A: “The others were her family.”
On Editing This Season
Q: “What is going on with the editing for this season?
A: “Can you elaborate?”
Q: “Well, Melissa saying she was babysitting the Giudice girls so that Teresa could go to the Fabellini launch, and it was all lies because…”
A: “I get what you mean. Listen, it was a real learning curve for everyone on season 4; we screwed up by filming season 4 while season 3 was screening. We went into shooting season 4 right away because we were seeing the Giudice and Gorga relationship on the mend and that was where we wanted our story to end; it was the perfect conclusion to all of the drama at the christening.
Q: “Well, what happened?”
A: “The ladies would be watching an episode of season 3, then have to go and film for season 4; it made things terribly hard for everyone because they couldn’t mention what they were angry about directly, so they would play around with their words. That’s when things got confusing and the editors had to play around with the storylines just to get them to make sense. The best example of this is the confrontation scene with Jacqueline, Teresa and Caroline: it had nothing to do with magazine covers, Danielle on twitter, or lies. It was about the episode [from season 3] that had just screened. But we had to edit it down to make sense to the audience. You have to remember, the television audience is much larger than those talking about the shows on blogs and twitter, so we cater to them first; it’s an entertainment television show first, is what I’m saying.
On the Gorgas
Q: “So tell me about the casting of the Gorga family? Did they really send in an audition tape saying they would take down Teresa, mafia style?”
A: “They auditioned, as does everyone. Look, it’s not like just because she is Teresa’s sister-in-law we instantly cast her because we had heard of bad blood between them. Teresa’s brother and Melissa were filmed for a short period and that was edited into a small compilation to see if they were interesting enough to be on television. This happens on every single show. Melissa does say that they will take down Teresa in the video, but in a playful manner. I’m also sure it’s been leaked onto the net, so it wouldn’t be hard to find.”
Q: “What can you tell me about the christening episode that introduces the Gorgas?”
A: “Well, I can say I was actually there that day. It was our first full day filming with a large team; we had been filming previous to that, but they were establishing shots. It was much worse than what was shown: the extended family didn’t want anything on camera, so what you don’t see is family members getting violent with the crew and grabbing their cameras and ripping microphone packs off and throwing them across the room. It was chaos.”
Q: “Why did Joe Gorga react the way he did? He was crazy.”
A: “I’ll just say, first day shooting nerves can make some drink and others take….I’ll leave it at that.”
On the Phone Call Between Joe Giudice and the Mystery Caller
Q: “Was Joe Giudice talking to a woman on the phone in Napa; did he forget to turn off his mic?”
A: “The call was 100% innocent. He called Teresa a c*** because he didn’t want to be there filming, and was taking it out on her. He had a legal mess at home he needed to deal with but was contractually obligated to be there.”